Already updated my resume
I need to redo my website, design and put my business cards into print, and update my portfolio.
Flash, dreamweaver, photoshop, corel paint, graphics tablet
These rough patches of
skin
remind me of my life as a kid
unforgivable sin
yeah, I came to that conclusion back then
I used to miss it,
as I grew up
But as I sat up at night
I realized
no child should wish
they were no longer alive
I, remember, as a kid
I always hoped I would die
So
why
did I miss my life
as a child?
as financially stable
spoiled, as I was
had everything, and more,I could ever
want
Drove a Benz for my first car
after all that,
I often mourn, I still have scars
from what that guy did
to a kid that used to be me
[Flash 9 is required to listen to audio.]
Hieroglyphics - At The Helm
Life is a blast when you know what you’re doin
Best to know what you’re doin ‘fore your life get ruined
Life is a thrill when your skill is developed
If you ain’t got a skill or trade, then shut the hell up
More lyrics: http://www.lyricsmania.com/at_the_helm_lyrics_hieroglyphics.html
All about Hieroglyphics: http://www.musictory.com/music/Hieroglyphics
This painting is by Edouardo Manet, called Olympia (1863). It is now in the Musee d’Orsay, Paris. This painting sparked a lot of controversy when it hit a Salon in Paris in 1863. It was thought of by many, as immoral and vulgar. It is interesting to note that the composition of Olympia is not significantly different than other work that had been seen at the time. What is different however, is that he has taken what was essentially a classical composition and placed it in a contemporary setting, using a contemporary woman of common origins. This brought a sense of immediacy to the painting — a here and now. This was outrageous to the establishment that a mere common woman, one even of questionable character, could be the center of, if not the object of beauty in high art. Models had been used in art forever but they had always played the part of a goddess, a biblical character or within the scope of a theme. Here Manet sets his subject, a merecourtesan, as a goddess herself — not merely playing the part of one; and it is this that just blew the Parisian public away, though they didn’t want to admit it.
